In 1986, an album called Keyboard Fantasies was recorded on cassette in Huntsville, Ontario. It was self-released and barely sold any copies. Recently, the album was rediscovered, shining a spotlight on the incredible catalogue of Beverly Glenn-Copeland.
The difference between art and entertainment is in the eye of the bureaucrat, and what happens when your punchline is a 15-foot bronze statue of King Edward VII on a horse?
Improv’s about saying “yes, and...” to everything. It’s about building a limitless environment for playful and absurd moments to surface organically—but when your boundaries are crossed, how do you push back?